The activist drawing : retracing situationist architectures from Constant’s New Babylon to beyond

The activist drawing : retracing situationist architectures from Constant’s New Babylon to beyond / edited by Catherine de Zegher and Mark Wigley.

by Constant, 1920-2005Wigley, MarkZegher, M. Catherine de;

Publisher: Cambridge, Mass. ; MIT Press, [2001]Description: 152 pages : illustrations (some colour), maps, plans, portraits ; 27 cm.ISBN: 026204191X.

 Published in connection with the exhibition Another city for another life : Constant’s New Babylon, held at The Drawing Center, New York, 2 November – 30 December 1999, and its accompanying symposium The activist drawing : retracing situationist achitectures from NewBabylon to beyond, held on 30 October 1999. 

Dutch artist Constant Nieuwenhuys (b. 1920) developed his visionary architectural project New Babylon between 1956 and 1974. Emerging out of the remarkable activist group the Situationist International, the project was concerned with issues of “unitary urbanism” and the future of art in a technocratic society. It has had a major impact on subsequent generations of artists, architects, and urbanists. Exploring the intersection of drawing, utopianism, and activism in a multimedia era, The Activist Drawing not only traces this historical moment but reveals surprisingly contemporary issues about the relationship between a fully automated environment and human creativity.

Several decades before the current debate about architecture in the supposedly placeless electronic age, Constant conceived an urban and architectural model that literally envisaged the World Wide Web. The inhabitants of his New Babylon drift through huge labyrinthine interiors, perpetually reconstructing every aspect of the environment according to their latest desires. Walls, floors, lighting, sound, color, texture, and smell keep changing. This network of vast “sectors” can be seen as a physical embodiment of the Internet, where people configure their individual Web sites and wander from site to site without limits. With its parallels to our virtual world, New Babylon seems as radical today as when it was created.

The essays explore the relevance of Constant’s utopian work to that of his peers in the Situationist International and experimental architectural movements of the 1960s, as well as later generations of architects and artists. They use Constant’s revolutionary project as a springboard to reconsider the role of drawing in an electronic age.

Copublished with the Drawing Center, New York City.

Contributors :
Benjamin Buchloh, Constant Nieuwenhuys, Rosalyn Deutsche, Catherine de Zegher, Elizabeth Diller, Tom McDonough, Martha Rosler, Bernard Tschumi, Anthony Vidler, Mark Wigley.

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