Category Archives: Books and papers

More shadow books


Atomic light (shadow optics) / Akira Mizuta Lippit.

Dreams, x-rays, atomic radiation, and “invisible men” are phenomena that are visual in nature but unseen. Atomic Light (Shadow Optics) reveals these hidden interiors of cultural life, the “avisual” as it has emerged in the writings of Jorge Luis Borges and Jacques Derrida, Tanizaki Jun’ichirô and Sigmund Freud, and H. G. Wells and Ralph Ellison, and in the early cinema and the postwar Japanese films of Kobayashi Masaki, Teshigahara Hiroshi, Kore-eda Hirokazu, and Kurosawa Kiyoshi, all under the shadow cast by the atomic bombings of Hiroshima and Nagasaki. Akira Mizuta Lippit focuses on historical moments in which such modes of avisuality came into being–the arrival of cinema, which brought imagination to life; psychoanalysis, which exposed the psyche; the discovery of x-rays, which disclosed the inside of the body; and the “catastrophic light” of Hiroshima and Nagasaki, which instituted an era of atomic discourses. With a taut, poetic style, Lippit produces speculative readings of secret and shadow archives and visual structures or phenomenologies of the inside, charting the materiality of what both can and cannot be seen in the radioactive light of the twentieth century. Akira Mizuta Lippit is professor of cinema, comparative literature, and Japanese culture at the University of Southern California. He is the author of Electric Animal: Toward a Rhetoric of Wildlife (Minnesota, 2000)

In praise of shadows / Jun’ichirō Tanizaki; translated by Thomas J.Harper and Edward G.Seidensticker


An essay on aesthetics by the Japanese novelist, this book explores architecture, jade, food, and even toilets, combining an acute sense of the use of space in buildings. The book also includes descriptions of laquerware under candlelight and women in the darkness of the house of pleasure

Autonomy and media specificity

Introduction to Adorno

Historical Dialectics and the Autonomy of Art in Adorno’s Ästhetische Theorie

The Specificity of Media in the Arts

The Social Significance of Autonomous Art- Adorno and Bürger

Persistent Autonomy and Romanticism

On Medium Specificity And Discipline Crossovers In Modern Art


Automatism, Causality and Realism- Foundational Problems in the Philosophy of Photography

Aesthetic Autonomy- Tracing the K antian Legacy to Olafur Eliasson*