Publisher: Cambridge, Mass. ; MIT Press, Description: 152 pages : illustrations (some colour), maps, plans, portraits ; 27 cm.ISBN: 026204191X.
Constant’s New Babylon : the hyper-architecture of desire.
Publisher: Rotterdam : Witte de With, center for contemporary art, 1998.Description: 253 pages : illustrations (some colour) ; 25x28cm.ISBN: 9064503435.Subject(s): Constant, 1920-2005Note: Published on the occasion of an exhibition held at Witte de With, center for contemporary art, Rotterdam, 21 November 1998 – 10 January 1999.
Constant: New Babylon, to us, liberty
- Hardcover: 224 pages
- Publisher: Hatje Cantz; 01 edition (15 Jun. 2016)
- Language: English
- ISBN-10: 3775741348
- ISBN-13: 978-3775741347
Constant’s Situationist utopia reimagined everyday life as an urban adventure
An open city without borders that is capable of flowing out in all directions to allow its residents to move freely and flexibly: this fascinating utopian conception of architectural and lifeworld growth formed the starting point for Constant’s Situationist project New Babylon. Between 1956 and 1974, the Dutch painter and cofounder of the avant-garde movements Cobra and the Situationist International worked on numerous models, paintings, drawings and collages for the purpose of depicting his vision of the nomadic city of the future.
This catalogue focuses not only on New Babylon’s architectural aspects but embraces them as an artist’s synthesis of the arts. Besides the models, drawings and collages, attention is also given to the designs in order to trace Constant’s artistic process. This not only provides extensive insight into utopian urban planning, but to a greater degree into a mode of thought and imagination. The book includes an interview with Rem Koolhaas on Constant’s pioneering project.
Constant Nieuwenhuys (1920-2005) was a Dutch painter, architect, sculptor, graphic artist, author and musician. His friendship with Danish painter Asger Jorn led to the founding of the Cobra group. After its dissolution, Constant became a founding member of the Situationist International movement along with Jorn and Guy Debord, and began work on his New Babylon project.
‘New Babylon is a huge atmosphere jukebox that can only be played by a completely revolutionized society.’
‘That the theory did not directly refer to the project continued the sense of theory as atmosphere —not simply conceptual atmosphere for physical design, as the design was meant to be all atmosphere; atmosphere for atmosphere itself. The polemic had to direct attention to that which by definition could not be addressed directly.’
Wigley, Mark. Constants New Babylon The Hyper-Architecture of Desire