Monthly Archives: February 2017

Trace and audio walks

Janet Cardiff’s audio walks

a kind of conceptual blend in which a layer of sound is overlain an urban walk.

Is trace a fundamental aspect of intermedial  processes – that which is passed on as a trace?

Paul Sietsema is a good example of an artist using intermedial processes

David Claerbout

David Claerbout – Algiers – sections of a happy moment. Projected slideshow

A kind of conceptual blend in which a single moment is constructed from multiple pictures taken from different viewpoints and projected as a slide show.

Turns out to be ‘impossible’  because even with 100 cameras around the scene the cameras themselves would appear in the pictures. In the actual slide show no cameras are visible.

The work is in fact a digital reconstruction, each photograph references the other and is constructed from a series of composited elements.

Agamben- articles and books

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Agamben’s take on Time – to be read later

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Agamben on Warburg.  Links directly to Notes on Gesture and his theory of the image.

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Janet Harbord (see also book on Agamben) discusses Claerbout in the context of Agamben and film philosophy.

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Good treatment of Agamben’s Kafka

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Main Agamben article on film.

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One of two or three essays on gesture

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Short essay on early photography – ref by Harbord

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Alex Murray’s book.  Need to read it all, but this deals with Gesture and film.

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Janet Harbord – to be read, along with the book.

Introduction to 3D sound workshop

INTRO TO 3D SOUND workshop at C&R –

Just did this – the ambisonic recordings of sounds around Deptford were interesting

great for soundscapes..

Course info

This 2-day course is aimed at artists who are interested in producing work using multiple loudspeakers to create immersive aural environments. We have recently purchased a Core Sound Tetramic Ambisonic microphone and a 3Dio binaural microphone so participants will be able to get some hands on experience with capturing their own 3D recordings.

You will learn techniques for multichannel diffusion, compositional strategies, field and close-microphone recording techniques, spatialisation and diffusion, psychoacoustics and installation practice.

The weekend will be led by C&R co-founder Tom Slater